on the wrong side of sunrise

Tag: ghostless ghost story

The Gobi Desert (or, by the end of this post, you’ll be glad I chose the camel image)

Edith Wharton, late in her writing career, wrote:

What is writing a novel like?
1. The beginning: A ride through a spring wood.
2. The middle: The Gobi Desert.
3. The end: A night with a lover.
I am now in the Gobi Desert.

I’ve been working on my novel-in-progress for just over a month, and just over 31,000 words. It’s hard to predict exactly how long it will turn out to be, but I can safely say that I am out of the spring wood … and I think I would know if I’d reached the night with an unidentified lover.

So this must be the Gobi Desert.

I don’t often watch survival-type shows—you know, Man Vs. Wild, Survivorman—because I am easily squigged out by survival. I can’t even think about 127 Hours (which I never saw) without having the impulse to curl up in the nearest corner and watch YouTube cats until the bad thoughts go away. But on the occasion I do end up watching something survival-related, a common theme shows up: keep moving. It makes sense. Unless you have the resources to set up long-term sustainable camp where you are, the longer you take, the more you expend.

This, I’ve found, holds for the novelist’s Gobi Desert, too.

It’s all about momentum, about keeping the story and the characters fresh and alive. Stagnation—true stagnation—has never helped anything. That’s not to say I subscribe to the write every day, without fail philosophy, because I don’t; I think stepping away to contemplate can be, at times, just as productive as actually putting words on the page. Sometimes we need to pause and think things through, because if we don’t, we might well end up with days, weeks of wasted work we could’ve avoided if we’d taken that time for thought.

I don’t need to write every day to make my way through the Gobi Desert, but I do need to have the writing on my mind every day. Even a few minutes, just to keep it present.

Of course, three hours of thought rarely gives the same satisfaction as three hours of writing, because there’s something wonderful about seeing that quantifiable progress. It often feels more valid, too. I can post on Facebook, I wrote two thousand words on my novel today! and my internet friends will understand at least to a point what that means, maybe even leave me little Yay! comments. But if I said, I spent two hours drinking tea and talking to my cats about my novel, I’d be lucky to get a lol.

It’s hard to measure the worth of contemplation, and I think that makes it easy to brush aside as a form of procrastination (which, don’t get me wrong, it sometimes is). But when you’re making your way through that Gobi Desert, you don’t do yourself any favors by charging boldly onward without stopping now and then to make sure you still have a sense of where you’re going and how you’re going to get there.

After all, what good is a night with a lover if you retire to the bedroom, begin to undress, and discover that your toes are purple with frostbite?

Scapple

Last time, I talked/gushed about Literature and Latte’s application Scrivener. Not so long ago, I decided to try out another program of theirs, Scapple.

The basic premise: Scapple lets you put down ideas, make connections between them, shift them around, and more. Literature and Latte describes it as a “freeform text editor” and explains,

Scapple doesn’t force you to make connections, and it doesn’t expect you to start out with one central idea off of which everything else is branched. There’s no built-in hierarchy at all, in fact—in Scapple, every note is equal, so you can connect them however you like.

I tested it out in the early stages of prep work for the novel I’m working on (the ghostless ghost story I mentioned a few months ago). Here’s the end result, zoomed out to show the whole thing:

And here’s a smaller section that’s actually legible:

About five years ago, I went through a phase of freeform brainstorming a little like this. I had a big pad of newsprint paper (something like this) and a pack of these multi-colored markers, and I’d sit on my dorm room floor, writing down different questions and answers about the project in different colors and orientations. I fell out of the habit, but working with Scapple reminds me a bit of that. The primary difference, of course, is that my marker notes couldn’t be rearranged, connected and disconnected and changed to a different color.

So, Scapple. What can I say about Scapple? I haven’t used it much beyond what’s above, so I can’t speak to/gush about it to the same extent I can Scrivener. I wouldn’t say I’ve fallen in love with it yet, but it was certainly a useful process to map out my novel as the concept developed (I sometimes think of this prep work as a sort of skeletal first draft) and Scapple provided a flexible way to do that.

Here’s an analogy. One of the more difficult things about taking lecture notes can be connecting and ordering them in a way that will make most sense later. Is this mention of a study with conflicting results going to be a passing mention that should be another subpoint, or are we going to explore it in detail in its own right? And if it becomes its own point, should the first study’s authors’ rebuttal be noted in the margin back up there, or should it be included with this second study?

This is a place where taking notes on a computer can simplify the process, because if I discover as the lecture goes on that something would do better indented farther, or moved back out, or expanded on, or cut and pasted somewhere else, it’s an easy fix. The flexibility of Scapple works in a similar way, allowing easy expanding and moving and reclassifying. Different people, obviously, prepare for novels differently, but my initial work is sloppy—to an outsider, it might look like I write a bunch of unrelated things on index cards, shuffle them up, and pick five of them to give me a randomly generated premise. Scapple supports this, letting me toss tidbits anywhere on the screen and, once I begin to see connections, shape those tidbits into something that becomes more and more cohesive.

Scapple has been a fun exercise. It hasn’t been as revolutionary as Scrivener, but I have been able to put it to use beyond frivolous experimentation. Should you buy it instead of groceries? No, probably not. But if you’ve got $15 to spare, Scapple is a better investment than many alternatives.

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